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That was followed by the Spiders EP and their full-length debut, Tidals, in 2016 — releases that drew attention from artists like Deftones, Shiner, If These Trees Could Talk, and ultimately led to their signing with Ipecac Recordings.  Now, after a decade of releases, the band is reflecting on these songs, all of which are appearing on vinyl for the first time.  Rarities is available on limited-edition vinyl in black and clear variants (limited to 500 copies each) and digitally.  Spotlights join A.A. Williams for a European trek across the UK and Europe in Jan\/Feb 2026.  Spotlights is Mario Quintero (guitar, vocals, keys), Sarah Quintero (bass, vocals), and Chris Enriquez (drums). The band has released four albums: Alchemyfor the Dead (2023), Love \u0026amp; Decay (2019), Seismic (2018), and Tidals (2016). Widely praised for their mastery of heaviness and nuance. 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Aiming for the sunnier climes of LA, the band found themselves not only in a warmer environment, but in a blank slate landscape—one without jobs, longtime friend groups, and the easy retreat of old habits. And it was here, unencumbered by the contentment of security, that Blackwater Holylight began diligently working on their fourth full-length album, Not Here Not Gone. As with their previous work, Not Here Not Gone explores the duality of light and dark—menacing riffs provide the bedrock to beguiling melodies; dense walls of shoegaze guitars pair with lighter-than-air synths; and heavy subject matter is delivered by siren song vocals. Across their work, the listener gets a sense of empowerment at one turn, vulnerability the next. As drummer Eliese Dorsay describes it, “some songs we’re the predator, and some songs we’re the prey.” The juxtaposition of confidence and uncertainty is never in as such stark relief as when one makes a life changing decision, which may explain how the band’s relocation intensified their study in contrasts to intoxicating new heights on Not Here Not Gone.  Not Here Not Gone was recorded at Sonic Ranch outside of El Paso, TX by Sonny Diperri (Narrow Head, DIIV, Emma Ruth Rundle), allowing the band to once again step outside of their comfort zone and isolate themselves in a place where they could focus exclusively on their art. 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London based sister and brother duo The Molotovs debut album 'Wasted On Youth' is a bold mix of new wave punk, indie, and garage rock showcasing the band's raw energy and sharp songwriting. Despite still being in their teens, the album explores important themes of self-empowerment, youthful determination, and the drive to enjoy life in a complicated world. With a sound rooted in rock history but fully alive in the present, the record captures the urgency and spirit of today's youth. Having played over five hundred gigs, The Molotovs have already shared stages with the likes of the Sex Pistols and The Libertines and been shouted out by punk legends Green Day, with The Telegraph highlighting them as one of the rising stars who could share the stage with Oasis. 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Guitar giant Robben Ford's new album Bringing It Back Home is a stunning study in soul, style and virtuosity that cuts to the heart with it's exceptional, emotion-laden musicianship. The disc also brings the five-time Grammy nominated stage and studio legend back to his earliest roots as a performer, playing blues. \u003c\/span\u003e\u003cspan\u003eFord, who Musician magazine called one of the \"100 Greatest Guitarists of the 20th Century,\" developed his reputation in the jazz and pop world of the 1970s and '80s as a solo artist, a member of the ground-breaking fusion group L.A. Express and a sideman with Joni Mitchell, Miles Davis and others. But he emerged from northern California in the '60s as part of the Charles Ford Blues Band. In that group - formed with his brothers and named after their father - he supported blues legends Jimmy Witherspoon and Charlie Musselwhite, getting a hands-on education in the style. \u003c\/span\u003e\u003cspan\u003eBringing It Back Home revisits and reshapes the roots of Ford's first musical love. The guitar kingpin selected 10 tunes from the blues canon, ranging from early Delta pioneer Charley Patton's \"Bird's Nest Bound\" to Bob Dylan's \"You Go Your Way and I Go Mine,\" and, along with a hand-picked team of A-list players, crafted dynamic, new and highly original arrangements for each song in the studio.\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFormat \/ \u003cb\u003eLP\u003c\/b\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eReleased \/ \u003cb\u003e01\/30\/2026\u003c\/b\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCatalogue \/ \u003cb\u003ePRRD-738812\u003c\/b\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBarcode \/ \u003cb\u003e8712725751434\u003c\/b\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eArtist \/ \u003cb\u003eRobben Ford\u003c\/b\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLabel \/ \u003cb\u003eProvogue\u003c\/b\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eGenre \/ \u003cb\u003eBlues\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Super D","offers":[{"title":"Default Title","offer_id":42957439696957,"sku":"BLU-F-8712725751434","price":31.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1487\/4550\/files\/4477451-3495284.jpg?v=1769630689"},{"product_id":"sonny-boy-williamson-the-yardbirds-recorded-live-at-the-craw-daddy-club-richmond-london","title":"Sonny Boy Williamson \u0026 The Yardbirds - Recorded Live at the Craw-Daddy Club, Richmond (London)","description":"\u003cp\u003eCharly Records proudly announces the long-awaited reissue of the original British mono edition of Sonny Boy Williamson \u0026amp; The Yardbirds - Recorded Live at the Craw-Daddy Club, Richmond (London), a landmark live recording that captures a pivotal moment in British blues history.\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cspan\u003eRecorded on December 8, 1963, at the Craw-daddy Club, this electrifying performance brings together veteran Chicago bluesman Sonny Boy Williamson and rising English R\u0026amp;B outfit The Yardbirds. \u003c\/span\u003e\u003cspan\u003eOriginally issued in Britain in January 1966 (and released the following month in the U.S. with a different running order), the album stands as a defining statement of the era when the blues took root in the UK. During this period, Williamson toured Britain as part of the 2nd American Folk and Blues Festival, performing with several leading R\u0026amp;B and rock groups, including The Animals and The Yardbirds. \u003c\/span\u003e\u003cspan\u003eOn this recording, Sonny Boy Williamson leads with vocals and harmonica, backed by the youthful energy of The Yardbirds-offering an early glimpse of a band soon to become one of Britain's defining rock acts. Most tracks capture their chemistry, alongside a few Yardbirds-only jams and two Sonny Boy solos, painting a complete snapshot of this historic night, and featuring a young Eric Clapton in some of his earliest surviving performances on record. \u003c\/span\u003e\u003cspan\u003eThis reissue brings the original mono edition back to life, presenting the concert exactly as first heard by fans in 1966. 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In 1974, 'Phaedra' redefined the landscape of electronic music. What began as an experimental session at Richard Branson's Manor Studios in Oxfordshire became a seismic event in modern sound. Using the Moog sequencer for the first time, Tangerine Dream - then comprised of Edgar Froese, Christopher Franke \u0026amp; Peter Baumann - crafted 'Phaedra', an album that shimmered with innovation, mystery \u0026amp; a palpable sense of discovery. Half a century later, Tangerine Dream returned to London's Barbican to honour that landmark work - reimagining it for a new era. '50 Years of Phaedra: At The Barbican' captures this transcendent live performance, in which the current line-up - Thorsten Quaeschning, Hoshiko Yamane \u0026amp; Paul Frick - revisit the spirit of 'Phaedra' with the very tools that Froese \u0026amp; his collaborators helped pioneer. Part of Phaedra's magic lay in it's imperfections: the original sequences were never truly quantised, their timing drifting unpredictably through the Moog's analogue circuitry. That subtle instability became part of it's charm - a human pulse within the machine - yet it long left current bandleader Thorsten Quaeschning intrigued by what a fully realised version might reveal. Now, fifty years later, Tangerine Dream have revisited the work with the precision that technology once denied them. '50 Years of Phaedra: At The Barbican' is the first time 'Phaedra' has been performed fully quantised, each motif beautifully aligned with a crystalline precision previously unheard. For over five decades, Tangerine Dream have stood as pioneers of electronic sound, shaping the evolution of ambient, film \u0026amp; synthesiser music. 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