{"title":"Top Sellers 2026","description":null,"products":[{"product_id":"b-vince-guaraldi-trio-b-br-i-a-charlie-brown-christmas-br-green-vinyl-pressing-i","title":"Vince Guaraldi Trio - A Charlie Brown Christmas [Green Vinyl]","description":"\u003cp style=\"text-align: justify;\"\u003e\u003c\/p\u003eFormat \/ \u003cstrong\u003eLP Vinyl\u003c\/strong\u003e \u003cbr\u003eReleased \/ \u003cstrong\u003e\u003c\/strong\u003e \u003cbr\u003eCatalog \/ \u003cstrong\u003e\u003c\/strong\u003e \u003cbr\u003eBarcode \/ \u003cstrong\u003e025218843119\u003c\/strong\u003e \u003cbr\u003eArtist \/ \u003cstrong\u003eVince Guaraldi Trio\u003c\/strong\u003e \u003cbr\u003eLabel \/ \u003cstrong\u003eFantasy\u003c\/strong\u003e \u003cbr\u003eGenre \/ \u003cstrong\u003eJazz, Soundtracks, Christmas\u003c\/strong\u003e \u003cbr\u003e","brand":"UMGD","offers":[{"title":"Default Title","offer_id":28237687122,"sku":"XMS-G-025218843119","price":23.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1487\/4550\/products\/3a3f844412686c7289cb95ba6c41cb99.jpg?v=1479853904"},{"product_id":"b-pink-floyd-b-br-i-wish-you-were-here-i","title":"Pink Floyd - Wish You Were Here","description":"\u003cdiv id=\"aec-product-description\" class=\"col-md-12 col-sm-12 col-xs-12\"\u003e\n\u003cdiv class=\"aec-desc-review collapse\"\u003e\n\u003cp\u003eWish You Were Here is the ninth studio album by the English rock band Pink Floyd, released on 12 September 1975 by Harvest Records in the United Kingdom and a day later by Columbia Records in the United States. Inspired by material the group composed while performing around Europe, Wish You Were Here was recorded during numerous recording sessions at Abbey Road Studios in London, England. Some of the songs on the album critique the music business, others express alienation and the track \"Shine On You Crazy Diamond\" is a tribute to Syd Barrett, whose mental breakdown had forced him to leave the group seven years earlier after the release of the group's debut studio album The Piper at the Gates of Dawn. It was also lead writer Roger Waters' idea to split \"Shine On You Crazy Diamond\" into two parts and use it to bookend the album around three new compositions, introducing a new concept as the group had done with their previous album, The Dark Side of the Moon. \u003cbr\u003e\u003cbr\u003eAs with The Dark Side of the Moon, the band used studio effects and synthesizers, and brought in guest singers to supply vocals on some tracks of the album. 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Surprisingly, some of the album's lyrics are even more personal\/universal and straightforward than anything on The Eraser, the album made by singer Thom Yorke and Radiohead producer Nigel Godrich. The album is very song-oriented, with each track constantly moving forward and developing. Yet there are also abstract electronic layers and studio-as-instrument elements to prevent it from sounding like a regression. 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Myths, memories, and incidental anecdotes are swept up with symphonic flourishes. Implementing 25 instruments, played mostly by Sufjan himself, a two-handed horn section, string quartet and small choir, Illinois conjures up images of Danny Elfman conducting a Gilbert and Sullivan company, a minimalist ensemble, and the Marion Catholic Marching Band on a windswept prairie football field. 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This debut emerged as one of the most influential rap albums of the '90s. It laid the groundwork for the rebirth of New York hip-hop, an underground, hardcore new sound that went on to influence Biggie, Jay-Z, Nas, and Mobb Deep, among others. Rap became at once theatrical and cerebral, MCs lyricists and powerhouses capable of violence, metaphor, humor and revolution in their performing. The album is full of hard, gritty beats, references to pop culture and martial arts, eclectic piano and string sounds, as well as surrealist overtones, and there truly was nothing like it in the hip-hop world at the time. Even now, it's an original album in a league of it's own. Get it. 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Despite this quintet's prep-school background, their sound comes from the same primordial ooze that spawned Big Apple legends like the New York Dolls and the Velvet Underground. Clocking in at 36 minutes, IS THIS IT packs it's perfect length with stellar songs that draw inspiration from all over the map. Among the many highlights are \"Last Nite\" with it's insistent Motown backbeat and choppy Johnny Thunders-like guitar solo, \"Barely Legal,\" sounding like 1980's-era Cure fronted by a saucy Iggy Pop, and the jangly \"Someday\" with it's hairshirt of vulnerability from a bad break-up. 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