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The result brings to mind the heartfelt vulnerability of Arthur Russell, the woozy jazz of Chet Baker, and the playful melodic breadth of the Beach Boys. 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Surrounded by cascading folk rock, celebratory horns, and jaunty piano, he finds himself falling in love after the dissolution of a 12-year-long relationship and learning how to deal with deep-seated grief. From the “why not?â€? attitude that drives the celebratory “I Might Beâ€? to the vivid imagery that positions “Turnaround (Cocaine Song)â€? as one of his strongest lyrical efforts yet, TÅ?th uses his latest album to push himself as both a musician and a person. The result brings to mind the heartfelt vulnerability of Arthur Russell, the woozy jazz of Chet Baker, and the playful melodic breadth of the Beach Boys. 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There’s a classic line: ‘If you see the Buddha, kill the Buddha.’ This album is my attempt to kill the Buddha.”\u003cbr\u003e\u003cbr\u003eFor Tōth, that might mean ending shows with audience-wide singalongs of “Open your heart to the universe!” Part irony, part catharsis. “It’s tongue-in-cheek but joyous,” he explains. “My default is so negative and self-loathing. I’m poking fun at the same things I need to survive.”\u003cbr\u003eThat duality – humor and holiness, irony and sincerity – runs through the album, which features a duet with Kimbra and was co-produced by Grammy-nominated artist Caroline Rose.\u003cbr\u003e\u003cbr\u003eIt’s also the first Tōth album involving another producer. “I’ve never liked having teachers or sponsors, but I need them to get out of my own way. Caroline wouldn’t let me hide behind abstraction; they had practices to help me connect with the ‘voice’ in the title.”\u003cbr\u003e\u003cbr\u003eAcross the album, Tōth swings between the buoyant self-reassurance of “Not Broken” to the spiraling doubt that follows, taps into the zeitgeist with “Ice Cream” and into his inner voices with “Triangle People.” His trumpet blares fanfare and alarm. As the record closes, he’s found a fragile kind of weightless, trembling peace.\u003cbr\u003e\u003cbr\u003eIt’s clear Tōth hasn’t killed the Buddha. His assassination attempts fail gloriously. 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There's a classic line: 'If you see the Buddha, kill the Buddha.' This album is my attempt to kill the Buddha.\"\u003cspan\u003e \u003c\/span\u003eFor Toth, that might mean ending shows with audience-wide singalongs of \"Open your heart to the universe!\" Part irony, part catharsis. \"It's tongue-in-cheek but joyous,\" he explains. \"My default is so negative and self-loathing. I'm poking fun at the same things I need to survive.\"\u003cspan\u003e \u003c\/span\u003eThat duality - humor and holiness, irony and sincerity - runs through the album, which features a duet with Kimbra and was co-produced by Grammy-nominated artist Caroline Rose.\u003cspan\u003e \u003c\/span\u003eIt's also the first Toth album involving another producer. \"I've never liked having teachers or sponsors, but I need them to get out of my own way. Caroline wouldn't let me hide behind abstraction; they had practices to help me connect with the 'voice' in the title.\"\u003cspan\u003e \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003eAcross the album, Toth swings between the buoyant self-reassurance of \"Not Broken\" to the spiraling doubt that follows, taps into the zeitgeist with \"Ice Cream\" and into his inner voices with \"Triangle People.\" His trumpet blares fanfare and alarm. As the record closes, he's found a fragile kind of weightless, trembling peace.\u003cspan\u003e \u003c\/span\u003eIt's clear Toth hasn't killed the Buddha. His assassination attempts fail gloriously. 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