{"title":"Tomberlin","description":null,"products":[{"product_id":"tomberlin-projections-picture-disc-321925","title":"Tomberlin - Projections [Picture Disc]","description":"\u003cdiv id=\"aec-body\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"container\" data-mce-fragment=\"1\"\u003e\n\u003cdiv id=\"aec-main\" class=\"col-md-10\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"aec-product-container\" data-mce-fragment=\"1\"\u003e\n\u003cdiv id=\"aec-product-description\" class=\"col-md-12 col-sm-12 col-xs-12\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"aec-desc-review collapse\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"col-md-12 col-sm-12 col-xs-12\" id=\"aec-product-description\"\u003e\n\u003cdiv class=\"aec-desc-review collapse\"\u003e\n\u003cp\u003eVinyl LP pressing. Tomberlin's new Projections EP (co-produced by Alex G and bandmate Sam Acchione) continues the arc of her critically acclaimed 2018 debut At Weddings, weaving new collaborators and new techniques into her signature dusky milieu. Since the LP's release, Tomberlin has toured with Pedro the Lion, Andy Shauf, American Football, and Alex G, played a Tiny Desk concert for NPR, and given a riveting performance on Jimmy Kimmel Live! The five-song EP, capped with a cover of Casiotone for the Painfully Alone's stunning Natural Light, reflects this period of intensive growth and self-discovery. The rich vocal harmonies and guitar lines that made At Weddings so riveting still provide the EP's foundation, but new percussive backing and instrumental flourishes open the path forward for Tomberlin.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eFormat \/ \u003cb data-mce-fragment=\"1\"\u003eLP\u003c\/b\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eReleased \/ \u003cstrong\u003e11\/13\/2020\u003c\/strong\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCatalogue \/ \u003cstrong\u003eSDL-E312\u003c\/strong\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBarcode \/ \u003cstrong\u003e648401031218\u003c\/strong\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eArtist \/ \u003cb\u003eTomberlin\u003c\/b\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLabel \/ \u003cb\u003eSaddle Creek\u003c\/b\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGenre \/ \u003cb\u003ePop \/ Rock\u003c\/b\u003e\u003c\/span\u003e","brand":"RedEye","offers":[{"title":"Default Title","offer_id":33026760343613,"sku":"POP-T-648401031218","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1487\/4550\/products\/648401031218.jpg?v=1637684441"},{"product_id":"tomberlin-i-dont-know-who-needs-to-hear-this-clear-orange-vinyl","title":"Tomberlin - I Don't Know Who Needs To Hear This.... [Orange Vinyl]","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"aec-body\"\u003e\n\u003cdiv class=\"container\"\u003e\n\u003cdiv id=\"aec-main\" class=\"col-md-10\"\u003e\n\u003cdiv class=\"aec-product-container\"\u003e\n\u003cdiv id=\"aec-product-description\" class=\"col-md-12 col-sm-12 col-xs-12\"\u003e\n\u003cdiv class=\"aec-desc-review collapse\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003eTomberlin is Sarah Beth Tomberlin, a pastor’s kid born in Florida, raised in rural Illinois. She wrote the majority of her debut,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eAt Weddings\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e(2018), while living at home. For a while after leaving home and church, she lived in Louisville, Kentucky. She worked a day job and kept writing songs. She posted some of these songs to Bandcamp, which led to her signing a record deal with Saddle Creek. It all happened fast: less than a year after her first live show, she performed on Jimmy Kimmel and she ended up moving to L.A.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003eDuring the pandemic, Sarah Beth was all over the place, physically and mentally. Louisville. Los Angeles. Back home in Illinois for a bit. Brooklyn, where she’s now settled, she says and is where her new album\u003cspan\u003e \u003c\/span\u003e\u003ci\u003ei don’t know who needs to hear this…\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ewas recorded with producer and engineer Phil Weinrobe (who played a variety of instruments on the collection), and later mastered by Josh Bonati, also in Brooklyn.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003e“The theme of the record,” she explains, “is to examine, hold space, make an altar for the feelings.” Hold space: Tomberlin’s songs do it literally, making it heard space. Her full-length debut, At Weddings, was widely praised for the sparsity and delicacy of its instrumentation, especially in contrast with the emotional heft of her lyrics. Here, the space feels larger and holier, built to echo. Pedal steel. Old acoustic guitars, freshly plucked. A drifting synthesizer. Chill, brushy percussion. Ambient, expansive clarinet and saxophone. Aleatory piano trills, a lot of piddling with the occasional splash. The looseness and wideness of the arrangements conveys a tender regard for their parts, as though each arpeggio, loop, scratch is a found shell or feather in the hand. Then there is the instrument of her voice, which has the endearing quality of being perfectly tuned but reluctantly played. “I’m not a singer,” she sings on “idkwntht.” “I’m just someone who’s guilty.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eFormat \/ \u003cb\u003eLP\u003c\/b\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eReleased \/ \u003cb\u003e0\u003cmeta charset=\"utf-8\"\u003e4\/29\/2022\u003c\/b\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCatalogue \/ \u003cmeta charset=\"utf-8\"\u003e\n\u003cstrong\u003eSDLE-277\u003c\/strong\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBarcode \/ \u003cmeta charset=\"utf-8\"\u003e\n\u003cstrong\u003e648401027778\u003c\/strong\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eArtist \/ \u003cstrong\u003eTomberlin\u003c\/strong\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLabel \/ \u003cstrong\u003eSaddle Creek\u003c\/strong\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGenre \/ \u003cb\u003ePop \/ Rock\u003c\/b\u003e\u003c\/span\u003e","brand":"RedEye","offers":[{"title":"Default Title","offer_id":39909270126653,"sku":"POP-T-648401027778","price":24.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1487\/4550\/products\/LBJ-277__1400_RGB.webp?v=1651001958"},{"product_id":"tomberlin-i-dont-know-who-needs-to-hear-this-clear-orange-vinyl-1","title":"Tomberlin - I Don't Know Who Needs To Hear This.... [Black Vinyl]","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"aec-body\"\u003e\n\u003cdiv class=\"container\"\u003e\n\u003cdiv id=\"aec-main\" class=\"col-md-10\"\u003e\n\u003cdiv class=\"aec-product-container\"\u003e\n\u003cdiv id=\"aec-product-description\" class=\"col-md-12 col-sm-12 col-xs-12\"\u003e\n\u003cdiv class=\"aec-desc-review collapse\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003eTomberlin is Sarah Beth Tomberlin, a pastor’s kid born in Florida, raised in rural Illinois. She wrote the majority of her debut,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eAt Weddings\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e(2018), while living at home. For a while after leaving home and church, she lived in Louisville, Kentucky. She worked a day job and kept writing songs. She posted some of these songs to Bandcamp, which led to her signing a record deal with Saddle Creek. It all happened fast: less than a year after her first live show, she performed on Jimmy Kimmel and she ended up moving to L.A.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003eDuring the pandemic, Sarah Beth was all over the place, physically and mentally. Louisville. Los Angeles. Back home in Illinois for a bit. Brooklyn, where she’s now settled, she says and is where her new album\u003cspan\u003e \u003c\/span\u003e\u003ci\u003ei don’t know who needs to hear this…\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ewas recorded with producer and engineer Phil Weinrobe (who played a variety of instruments on the collection), and later mastered by Josh Bonati, also in Brooklyn.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003e“The theme of the record,” she explains, “is to examine, hold space, make an altar for the feelings.” Hold space: Tomberlin’s songs do it literally, making it heard space. Her full-length debut, At Weddings, was widely praised for the sparsity and delicacy of its instrumentation, especially in contrast with the emotional heft of her lyrics. Here, the space feels larger and holier, built to echo. Pedal steel. Old acoustic guitars, freshly plucked. A drifting synthesizer. Chill, brushy percussion. Ambient, expansive clarinet and saxophone. Aleatory piano trills, a lot of piddling with the occasional splash. The looseness and wideness of the arrangements conveys a tender regard for their parts, as though each arpeggio, loop, scratch is a found shell or feather in the hand. Then there is the instrument of her voice, which has the endearing quality of being perfectly tuned but reluctantly played. “I’m not a singer,” she sings on “idkwntht.” “I’m just someone who’s guilty.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eFormat \/ \u003cb\u003eLP\u003c\/b\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eReleased \/ \u003cb\u003e0\u003cmeta charset=\"utf-8\"\u003e4\/29\/2022\u003c\/b\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCatalogue \/ \u003cmeta charset=\"utf-8\"\u003e\n\u003cstrong\u003eSDLE-277A\u003c\/strong\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBarcode \/ \u003cmeta charset=\"utf-8\"\u003e\n\u003cstrong\u003e648401027716\u003c\/strong\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eArtist \/ \u003cstrong\u003eTomberlin\u003c\/strong\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLabel \/ \u003cstrong\u003eSaddle Creek\u003c\/strong\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGenre \/ \u003cb\u003ePop \/ Rock\u003c\/b\u003e\u003c\/span\u003e","brand":"RedEye","offers":[{"title":"Default Title","offer_id":39909286084669,"sku":"POP-T-648401027716","price":24.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1487\/4550\/products\/LBJ-277__1400_RGB_78f67f2b-c48a-407a-b25b-fd51477f3a6b.webp?v=1651003159"},{"product_id":"tomberlin-i-dont-know-who-needs-to-hear-this-23057687","title":"Tomberlin - I Don't Know Who Needs To Hear This... on Saddle Creek Ltd Orange Transparent Sunstruck Vinyl","description":"\u003cp\u003e\u003cstrong\u003eVINYL CONDITION: VG+\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCOVER CONDITION: VG+ (still in shrink \/ corner wear \/ ringwear)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNOTES: 2022 limited pressing\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRecords are graded using the Goldmine system, shown below for reference:\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSealed\u003c\/span\u003e:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eJacket sealed in shrink wrap or other original packaging. The vinyl in this case is sold as-is or not graded.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003eNM (Near Mint)\u003c\/span\u003e:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eNo visible defects. No writing, stickers, spindle marks, or any other imperfections on label. Appears unplayed and unhandled.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eVG++\u003c\/strong\u003e\u003c\/span\u003e: May have some light wear including sleeve scuffs or other superficial marks that will not affect play.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eVG+\u003c\/strong\u003e\u003c\/span\u003e: Will have some light wear that may include sleeve scuffs, very light scratches, or other superficial marks.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eVG\u003c\/strong\u003e\u003c\/span\u003e: Similar imperfections to a VG+ record, but they're either more pronounced, or there is a higher number of imperfections.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eVG-\u003c\/strong\u003e\u003c\/span\u003e: Many light scratches or scuffs. Any record with an isolated defect such as a single scratch that can be felt with a fingernail will have a VG- grade or lower. The record will not skip but some noise is expected.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eG\u003c\/strong\u003e\u003c\/span\u003e: Many imperfections, including but not limited to scratches that can be felt with a fingernail. A lot of background noise, clicks, and pops should be expected with this grade.\u003c\/p\u003e","brand":"Used","offers":[{"title":"Default Title","offer_id":41739046453309,"sku":"PLAID457620","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1487\/4550\/files\/IMG_4182.jpg?v=1745606510"}],"url":"https:\/\/www.plaidroomrecords.com\/collections\/artist-tomberlin.oembed","provider":"Plaid Room Records","version":"1.0","type":"link"}