{"title":"JP Harris","description":null,"products":[{"product_id":"jp-harris-jp-harris-is-a-trash-fire","title":"JP Harris - Jp Harris Is A Trash Fire","description":"\u003cp\u003eJP’s historic restoration carpentry has continued to be a baseline for his relationship to music; the yin to his yang, the Burt to his Ernie, the Dolly to his Porter. It was through this concurrent line of work that he met another twice-initialed singer with a penchant for old Americana music, obscure film, and overly elaborate ethnic meal preparations: one JD McPherson. The two became fast friends and would eventually, through many twists, turns, false starts, and biblically-proportionate plagues, enter a modest studio in Nashville to record Harris’ latest album. Over the course of nine months in 2023, they recorded a sometimes lush, sometimes sparse, and sometimes jarring country album of Harris’ originals, loudly and violently squelching any attempt to pigeon-hole a song into any subgenre of country music. Only albums by Lee Hazelwood and an obscure folk album Waylon Jennings made when his hair was still short were allowed to be mentioned in reference. Featuring the guest vocals of Erin Rae, The Watson Twins, Shovels \u0026amp; Rope, and producer JD McPherson himself, the record is equal parts satire, reflection, and apology to those that would listen. In a musical landscape of period-correct reproduction, “outlaw” internet posturing, and flavor-of-the-month variants on country, “JP Harris Is A Trash Fire” burns bright as a dumpster in a Walmart parking lot on a moonless night; some will fear it, some will gravitate to its acrid warmth, and most will have no idea what to make of the situation. Harris has been steadily elbowing the definitive boundaries of “country music” wider with every album, both sonically and lyrically, and his latest piece of self described “Avant-Country” is no exception.\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eFormat \/ \u003cb\u003eLP\u003c\/b\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eReleased \/ \u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan class=\"sc-cnkHsO hVdqaZ\"\u003e09\/20\/2024\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCatalogue \/ \u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003eBLDH-322\u003c\/strong\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBarcode \/ \u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003e708857032211\u003c\/strong\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eArtist \/ \u003cstrong\u003eJP Harris\u003c\/strong\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLabel \/ \u003cstrong\u003eBloodshot Records\u003c\/strong\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGenre \/ \u003cmeta charset=\"utf-8\"\u003e \u003cb data-mce-fragment=\"1\"\u003eCountry\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"RedEye","offers":[{"title":"Default Title","offer_id":41696032522301,"sku":"CNT-H-708857032211","price":25.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1487\/4550\/files\/4356460-3200092.jpg?v=1726508266"},{"product_id":"jp-harris-jp-harris-is-a-trash-fire-metallic-silver-vinyl","title":"JP Harris - JP Harris Is A Trash Fire [Metallic Silver Vinyl]","description":"\u003cp style=\"text-align: justify;\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eJP’s historic restoration carpentry has continued to be a baseline for his relationship to music; the yin to his yang, the Burt to his Ernie, the Dolly to his Porter. It was through this concurrent line of work that he met another twice-initialed singer with a penchant for old Americana music, obscure film, and overly elaborate ethnic meal preparations: one JD McPherson. The two became fast friends and would eventually, through many twists, turns, false starts, and biblically-proportionate plagues, enter a modest studio in Nashville to record Harris’ latest album.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOver the course of nine months in 2023, they recorded a sometimes lush, sometimes sparse, and sometimes jarring country album of Harris’ originals, loudly and violently squelching any attempt to pigeon-hole a song into any subgenre of country music. Only albums by Lee Hazelwood and an obscure folk album Waylon Jennings made when his hair was still short were allowed to be mentioned in reference. Featuring the guest vocals of Erin Rae, The Watson Twins, Shovels \u0026amp; Rope, and producer JD McPherson himself, the record is equal parts satire, reflection, and apology to those that would listen.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn a musical landscape of period-correct reproduction, “outlaw” internet posturing, and flavor-of-the-month variants on country, “JP Harris Is A Trash Fire” burns bright as a dumpster in a Walmart parking lot on a moonless night; some will fear it, some will gravitate to its acrid warmth, and most will have no idea what to make of the situation. Harris has been steadily elbowing the definitive boundaries of “country music” wider with every album, both sonically and lyrically, and his latest piece of self described “Avant-Country” is no exception.\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFormat \/ \u003cb\u003eLP\u003c\/b\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eReleased \/ \u003cb\u003e03\/14\/2025\u003c\/b\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCatalogue \/ \u003cb\u003eBS-3221C\u003c\/b\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBarcode \/ \u003cb\u003e708857322169\u003c\/b\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eArtist \/ \u003cb\u003eJP Harris\u003c\/b\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLabel \/ \u003cb\u003eBloodshot\u003c\/b\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eGenre \/ \u003cb\u003eCountry\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"RedEye","offers":[{"title":"Default Title","offer_id":42090341662781,"sku":"CNT-H-708857322169","price":25.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1487\/4550\/files\/4402720-3322884.jpg?v=1741623502"},{"product_id":"jp-harris-shaving-a-dead-man-clear-smoke-vinyl","title":"JP Harris - Shaving a Dead Man [Clear Smoke Vinyl]","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp style=\"text-align: justify;\"\u003eProduced by Chance McCoy (Old Crow Medicine Show), Shaving A Dead Man embraces and exuberates in old-time Appalachian folk music. Featuring dark Appalachian fiddle \u0026amp; banjo, Americana gothic drones, and whimsically macabre artwork. The repertoire is heirloom, but newcomers to the old-time genre will hear a hypnotic snap \u0026amp; sway in the silvery plunk of JP's banjo, a spectral, bluesy emotion in McCoy's fiddle, \u0026amp; songs with lyrics that conjure something mythical, mysterious, and sometimes murderous.\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\"This album offers an identifiable element to people who want to access old-time, not necessarily through Smithsonian field recordings. I'm not just some museum-quality reproduction piece. Planting this flag in the mud is saying that I'm still a fringe element, even if I am a traditional roots musician. It makes it identifiable to the next generation of little weird music kids like me.\" - JP Harris\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFormat \/ \u003cb\u003eLP\u003c\/b\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eReleased \/ \u003cstrong\u003e10\/23\/2026\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCatalogue \/ \u003cb\u003eBLDH-340\u003c\/b\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBarcode \/ \u003cstrong\u003e708857034017\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eArtist \/ \u003cstrong\u003eJP Harris\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLabel \/ \u003cstrong\u003eBloodshot Records\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eGenre \/ \u003cstrong\u003eCountry\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"RedEye","offers":[{"title":"Default Title","offer_id":43725374488637,"sku":"CNT-H-708857034017","price":28.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1487\/4550\/files\/4524679-3669434.jpg?v=1790521299"}],"url":"https:\/\/www.plaidroomrecords.com\/collections\/artist-jp-harris.oembed","provider":"Plaid Room Records","version":"1.0","type":"link"}