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The album was recorded at the monastery of Propstei St. Gerold in Austria.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eFormat \/ \u003cstrong\u003eLP Vinyl\u003c\/strong\u003e \u003cbr\u003eReleased \/ \u003cstrong\u003e01\/06\/2015\u003c\/strong\u003e\u003cbr\u003eCatalog \/ \u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eECMB-002179701\u003c\/strong\u003e\u003cbr\u003eBarcode \/ \u003cstrong\u003e028948110858D\u003c\/strong\u003e\u003cbr\u003eArtist \/ \u003cstrong\u003eJan Garbarek \/ The Hilliard Ensemble\u003c\/strong\u003e \u003cbr\u003eLabel \/ \u003cstrong\u003eECM New Series\u003c\/strong\u003e \u003cbr\u003eGenre \/ \u003cstrong\u003eJazz\u003c\/strong\u003e \u003cbr\u003e\u003c\/p\u003e","brand":"UMGD","offers":[{"title":"Default Title","offer_id":40153957040189,"sku":"JAZ-G-028948110858D","price":27.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1487\/4550\/products\/5fcd7b3a0287030c348f57a75687c1d6_45a34f5e-99ee-4bcd-a7ac-cd558dd1a087.jpg?v=1660152279"},{"product_id":"keith-jarrett-jan-garbarek-luminessence","title":"Keith Jarrett \u0026 Jan Garbarek - Luminessence [ECM Luminessence Series]","description":"\u003cp style=\"text-align: justify;\"\u003eLuminessence, a product of the creative synergy between Keith Jarrett and Jan Garbarek, was recorded in 1974, following their dynamic Belonging album. Jarrett’s melodies resemble Garbarek’s improvisations, reflecting their strong rapport, as noted by Ian Carr in his biography of Jarrett. Produced by Manfred Eicher, the album that gives the Luminessence audiophile edition its name is augmented with new liner notes providing historical context.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eFormat \/ \u003cb\u003eLP\u003c\/b\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eReleased \/ \u003cmeta charset=\"utf-8\"\u003e \u003cb data-mce-fragment=\"1\"\u003e03\/01\/2024\u003c\/b\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCatalogue \/ \u003cstrong\u003eECM-143641\u003c\/strong\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBarcode \/ \u003cstrong\u003e602455238856\u003c\/strong\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eArtist \/ \u003cstrong\u003eKeith Jarrett \u0026amp; Jan Garbarek\u003c\/strong\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLabel \/ \u003cstrong\u003eEcm Records\u003c\/strong\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGenre \/ \u003cstrong\u003eJazz\u003c\/strong\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"UMGD","offers":[{"title":"Default Title","offer_id":41053689577533,"sku":"JAZ-J-602455238856","price":36.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1487\/4550\/files\/602455238856-2T.jpg?v=1709044625"},{"product_id":"jan-garbarek-places-10135638","title":"Jan Garbarek - Places on ECM Records","description":"\u003cp\u003e\u003cstrong\u003eVINYL CONDITION: VG+\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCOVER CONDITION: Strong VG (Creasing. Corner bumps. Edge wear.)\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNOTES: 2017 pressing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRecords are graded using the Goldmine system, shown below for reference:\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\" data-mce-style=\"text-decoration: underline;\"\u003eSealed\u003c\/span\u003e:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eJacket sealed in shrink wrap or other original packaging. The vinyl in this case is sold as-is or not graded.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\" data-mce-style=\"text-decoration: underline;\"\u003eNM (Near Mint)\u003c\/span\u003e:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eNo visible defects. No writing, stickers, spindle marks, or any other imperfections on label. Appears unplayed and unhandled.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\" data-mce-style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eVG++\u003c\/strong\u003e\u003c\/span\u003e: May have some light wear including sleeve scuffs or other superficial marks that will not affect play.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\" data-mce-style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eVG+\u003c\/strong\u003e\u003c\/span\u003e: Will have some light wear that may include sleeve scuffs, very light scratches, or other superficial marks.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\" data-mce-style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eVG\u003c\/strong\u003e\u003c\/span\u003e: Similar imperfections to a VG+ record, but they're either more pronounced, or there is a higher number of imperfections.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\" data-mce-style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eVG-\u003c\/strong\u003e\u003c\/span\u003e: Many light scratches or scuffs. Any record with an isolated defect such as a single scratch that can be felt with a fingernail will have a VG- grade or lower. The record will not skip but some noise is expected.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\" data-mce-style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eG\u003c\/strong\u003e\u003c\/span\u003e: Many imperfections, including but not limited to scratches that can be felt with a fingernail. A lot of background noise, clicks, and pops should be expected with this grade.  \u003c\/p\u003e\n\u003c!----\u003e","brand":"Used","offers":[{"title":"Default Title","offer_id":41065726771261,"sku":"PLAID438344","price":16.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1487\/4550\/files\/MBL_7539.jpg?v=1716315668"},{"product_id":"pre-order-jan-garbarek-afric-pepperbird-ecm-luminessence-series-release-date-04-19-2024","title":"Jan Garbarek - Afric Pepperbird [ECM Luminessence Series]","description":"\u003cp style=\"text-align: justify;\"\u003eRecorded in Oslo in September 1970, Afric Pepperbird was released on New Year's Day in 1971. Half a century later, it still conveys the freshness and excitement of discoveries being made. The album signaled the arrival of four Norwegian improvisers - Jan Garbarek, Terje Rypdal, Arild Andersen and Jon Christensen - at the fledgling ECM label. 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Half a century later, it still conveys the freshness and excitement of discoveries being made. The album signaled the arrival of four Norwegian improvisers - Jan Garbarek, Terje Rypdal, Arild Andersen and Jon Christensen - at the fledgling ECM label. It was the start of a lifelong association with each of the musicians, whose influence was soon to reach far beyond the borders of their homeland.\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eFormat \/ \u003cb\u003eLP\u003c\/b\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eReleased \/ \u003cb data-mce-fragment=\"1\"\u003e04\/19\/2024\u003c\/b\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCatalogue \/ \u003cb\u003eECM-144794\u003c\/b\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBarcode \/ \u003cmeta charset=\"utf-8\"\u003e \u003cb data-mce-fragment=\"1\"\u003e602445053179D\u003c\/b\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eArtist \/ \u003cmeta charset=\"utf-8\"\u003e \u003cb data-mce-fragment=\"1\"\u003eJan Garbarek\u003c\/b\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLabel \/ \u003cstrong\u003eECM Records\u003c\/strong\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGenre \/ \u003cstrong\u003eJazz\u003c\/strong\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"UMGD","offers":[{"title":"Default Title","offer_id":41230419984445,"sku":"JAZ-G-602445053179D","price":32.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1487\/4550\/files\/602445053179_2c9b77e8-fbac-46c5-a9db-02616fcaccbd.jpg?v=1713451795"},{"product_id":"pre-order-jan-garbarek-anouar-brahem-shaukat-hussain-madar-ecm-luminessence-series-release-date-11-07-2025","title":"Jan Garbarek \/ Anouar Brahem \/ Shaukat Hussain - Madar [ECM Luminessence Series]","description":"\u003cp\u003eIn a review of one of their early performances together, writer Wolfgang Sandner made the interesting point that Tunisian oud virtuoso Anouar Brahem is as far removed from Arab music as it is traditionally played in his homeland as Norwegian saxophonist Jan Garbarek is from the jazz mainstream. Certainly, Brahem and Garbarek are two very independent spirits, outsiders who meet here as equals – accompanied, on parts of this intriguing, often thrilling, production by a third original, the Pakistani tabla master, Ustad Shaukat Hussain. Originally released in 1994. ECM Luminessence Series.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFormat \/ \u003cb\u003eLP\u003c\/b\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eReleased \/ \u003cstrong\u003e11\/07\/2025\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCatalogue \/\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBarcode \/ \u003cstrong\u003e602455539441\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eArtist \/ \u003cstrong\u003eJan Garbarek \/ Anouar Brahem \/ Shaukat Hussain\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLabel \/ \u003cstrong\u003eECM\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eGenre \/ \u003cstrong\u003eJazz\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"UMGD","offers":[{"title":"Default Title","offer_id":42602626383933,"sku":"JAZ-G-602455539441","price":54.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1487\/4550\/files\/Screenshot2025-09-21at12.webp?v=1758503143"},{"product_id":"damaged-jan-garbarek-anouar-brahem-shaukat-hussain-madar-ecm-luminessence-series","title":"[DAMAGED] Jan Garbarek \/ Anouar Brahem \/ Shaukat Hussain - Madar [ECM Luminessence Series]","description":"\u003cp\u003e***All of these copies have dinged corners, seam splits or bent jackets***\u003c\/p\u003e\n\u003cp\u003eIn a review of one of their early performances together, writer Wolfgang Sandner made the interesting point that Tunisian oud virtuoso Anouar Brahem is as far removed from Arab music as it is traditionally played in his homeland as Norwegian saxophonist Jan Garbarek is from the jazz mainstream. Certainly, Brahem and Garbarek are two very independent spirits, outsiders who meet here as equals – accompanied, on parts of this intriguing, often thrilling, production by a third original, the Pakistani tabla master, Ustad Shaukat Hussain. Originally released in 1994. ECM Luminessence Series.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFormat \/ \u003cb\u003eLP\u003c\/b\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eReleased \/ \u003cstrong\u003e11\/07\/2025\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCatalogue \/\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBarcode \/ \u003cstrong\u003e602455539441D\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eArtist \/ \u003cstrong\u003eJan Garbarek \/ Anouar Brahem \/ Shaukat Hussain\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLabel \/ \u003cstrong\u003eECM\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eGenre \/ \u003cstrong\u003eJazz\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"UMGD","offers":[{"title":"Default Title","offer_id":42693025628221,"sku":"JAZ-G-602455539441D","price":46.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1487\/4550\/files\/Screenshot2025-09-21at12.webp?v=1758503143"},{"product_id":"jan-garbarek-in-praise-of-dreams-plaid511159","title":"Jan Garbarek - In Praise Of Dreams on ECM Records","description":"\u003cp\u003e\u003cstrong\u003eVINYL CONDITION:\u003c\/strong\u003e \u003cstrong\u003eVG+\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCOVER CONDITION:\u003c\/strong\u003e \u003cstrong\u003eVG+\u003c\/strong\u003e \u003cstrong\u003e(In shrink.)\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNOTES:\u003c\/strong\u003e \u003cstrong\u003e2019 Germany pressing.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRecords are graded using the Goldmine system, shown below for reference:\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSealed\u003c\/span\u003e:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eJacket sealed in shrink wrap or other original packaging. The vinyl in this case is sold as-is or not graded.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003eNM (Near Mint)\u003c\/span\u003e:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eNo visible defects. No writing, stickers, spindle marks, or any other imperfections on label. Appears unplayed and unhandled.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eVG++\u003c\/strong\u003e\u003c\/span\u003e: May have some light wear including sleeve scuffs or other superficial marks that will not affect play.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eVG+\u003c\/strong\u003e\u003c\/span\u003e: Will have some light wear that may include sleeve scuffs, very light scratches, or other superficial marks.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eVG\u003c\/strong\u003e\u003c\/span\u003e: Similar imperfections to a VG+ record, but they're either more pronounced, or there is a higher number of imperfections.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eVG-\u003c\/strong\u003e\u003c\/span\u003e: Many light scratches or scuffs. Any record with an isolated defect such as a single scratch that can be felt with a fingernail will have a VG- grade or lower. The record will not skip but some noise is expected.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eG\u003c\/strong\u003e\u003c\/span\u003e: Many imperfections, including but not limited to scratches that can be felt with a fingernail. A lot of background noise, clicks, and pops should be expected with this grade.\u003c\/p\u003e","brand":"Used","offers":[{"title":"Default Title","offer_id":43263671140413,"sku":"PLAID511159","price":16.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1487\/4550\/files\/IMG_6031_1c401903-2954-47c3-8b7c-41cfa2fe1201.jpg?v=1786039470"},{"product_id":"pre-order-jan-garbarek-rites-ecm-luminessence-series-release-date-10-16-2026","title":"Jan Garbarek - Rites [ECM Luminessence Series]","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003eJan Garbarek's powerful double-album is well-titled. Rites suggests initiations, rituals, the archaic, the magical, but also \"rites of passage\" and the Norwegian saxophonist reflects, in his choice of material, upon pivotal episodes and influences in his own life and those of his associates.\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\"Malinye,\" for instance, is offered in fond memory of its composer, the late Don Cherry, who recorded this tune with the the Codona trio in 1980. Garbarek first played with Cherry in Oslo in 1964, when the saxophonist was just 17. For a session at the radio, trumpeter Cherry suggested a collaboration with a Norwegian folk singer, obliging Garbarek to consider, really for the first time, the creative potential of the music in his own backyard, as he was later to put it. 33 years later he is still mining that potential. On Rites, both \"Her wild ways\" and \"It's high time\" contain elements of Nordic folk music. The latter, which has consistently proven one of the highlights of the Garbarek Group's concerts, contains fragments of a traditional Sami joik, while the former, featuring some very spirited interplay between Jan, Rainer Brüninghaus, Eberhard Weber and Marilyn Mazur, incorporates elements of Norwegian folk melody and rhythm.\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003eGarbarek has often spoken of the way which he has examined aspects of the world's music traditions from the vantage point of his own culture. As he told one writer, \"I'm really fascinated by the connections between Norwegian music and that of India via the Balkans and Asia Minor.\" Rites is also a musical journey that looks at these and other connections as it touches down, literally and metaphorically, at diverse spots on the globe. The journey begins with sounds taped by Jan while travelling in India, sounds of the village becoming part of the textural fabric of the title track, detailed by his own saxophone, percussion and synthesizer. In terms of the methodologies involved, Rites has qualities in common with both All Those Born with Wings, Jan's solo album of 1986, and Visible World, recorded 1995, which was essentially a \"solo\" album featuring members of Jan's touring band. On Rites, the cast is further expanded with guest musicians; nonetheless, a majority of instrumental parts are handled by Garbarek himself.\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003eEngland's Time Out noted that \"with each project, Jan Garbarek seems to find yet another wise, new vision of world music.\" Other cultures impinge on Garbarek's music in new ways on Rites. \"We Are the Stars\" is his setting of a translation of a Native American poem of the Passamaquoddy tribe, very vivid in its imagery: \"Our light is a voice\/We cut a road for the soul\/for its journey through death.\" It is a sung here by young members of the Norwegian choir Sølvguttene, with Garbarek's soprano encircling the voices. This piece is followed by another text-setting, of Galaktion Tabidze's \"The Moon Over Mtatsminda,\" a surprising episode on a Garbarek disc, as the performance does not feature him as instrumentalist.\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003eGarbarek met its composer, Jansug Kakhidze, in 1996, while in Georgia to perform Giya Kancheli's Night Prayers with the Tbilisi Symphony Orchestra. In a subsequent conversation with producer Manfred Eicher, Garbarek learned that the conductor-composer-vocalist had been seriously ill. Eicher played the saxophonist a tape of a song Kakhidze had written while recovering from heart surgery. Garbarek: \"It had such an immediate emotional impact that, as it came to an end I spontaneously said, 'Can we have this piece on my album!''\" Although convinced that \"a song from the heart needs no further justification\" he also sought a rational pretext to include it alongside his own pieces. The \"rites of passage\" motif serves to link it to \"We Are the Stars.\" In the Passamaquoddy poem-setting, we hear the voices of the boys, \"in the beginning of their life-cycle,\" looking \"at the hills with disdain.\" For Kakhidze, grateful to be alive, the natural world now has an enhanced meaning: \"My eyes have never seen the moon so lovely...\"\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003eKakhidze, 62, is probably best known for his championing of the work of Kancheli - he has premiered all of the symphonies written by the Georgian composer - but in his long career has conducted musics of many epochs and styles, and his current repertoire includes operas, ballets and symphonic works by composers including Haydn, Beethoven, Prokofiev, Mahler, Richard Strauss, and Shostakovich as well as much contemporary music. He has toured internationally with the Tbilisi Symphony (heard on \"Moon over Mtatsminda\") and conducted leading orchestras in Europe, the United States and Australia.\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003eOutside the Garbarek Group's personnel, the other guest musician on Rites is Norwegian keyboardist Bugge Wesseltoft who has, since appearing on I Took Up the Runes, Sidsel Endresen's Exile and Arild Andersen's Sagn, established a reputation as a bandleader in his own right. His primary contribution to Rites is as accordionist on the Cherry tribute, but he also adds electronic sound colors to several pieces.\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003eOccasionally over the years Garbarek has revisited and revised favorite pieces, and Rites has two such examples, \"It's OK to listen to the gray voice,\" title track of his 1984 album, now given a significantly bolder treatment, and \"So mild the wind, so meek the water\" which previously appeared on All Those Born with Wings. As The Times observed, \"over the subtle wash of Bruninghaus's synthesizer, given sonorous propulsion by Weber's uniquely lyrical bass and embellished by Mazur's extraordinary percussion, Garbarek keens and skirls. This is the sound that lingers in the mind. Multi-textured, but affectingly pure and clear, it draws deeply on the earnest, intimate strength of jazz from Louis Armstrong to Ornette Coleman.\" Contexts may have changed over the years, but Garbarek's saxophone artistry, ever-evolving, remains anchored in the tradition that first inspired him.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFormat \/ \u003cb\u003eLP\u003c\/b\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eReleased \/ \u003cstrong\u003e10\/16\/2026\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCatalogue \/ \u003cb\u003eECM-248076\u003c\/b\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBarcode \/ \u003cstrong\u003e602455539489\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eArtist \/ \u003cstrong\u003eJan Garbarek\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLabel \/ \u003cstrong\u003eEcm Records\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eGenre \/ \u003cstrong\u003eJazz\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"UMGD","offers":[{"title":"Default Title","offer_id":43651115253821,"sku":"JAZ-G-602455539489","price":64.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1487\/4550\/files\/4538174-3739250.jpg?v=1792093234"},{"product_id":"damaged-jan-garbarek-rites-ecm-luminessence-series","title":"[DAMAGED] Jan Garbarek - Rites [ECM Luminessence Series]","description":"\u003cp\u003e\u003cstrong\u003e***All of these copies have dinged corners, seam splits or bent jackets***\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003eJan Garbarek's powerful double-album is well-titled. Rites suggests initiations, rituals, the archaic, the magical, but also \"rites of passage\" and the Norwegian saxophonist reflects, in his choice of material, upon pivotal episodes and influences in his own life and those of his associates.\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\"Malinye,\" for instance, is offered in fond memory of its composer, the late Don Cherry, who recorded this tune with the the Codona trio in 1980. Garbarek first played with Cherry in Oslo in 1964, when the saxophonist was just 17. For a session at the radio, trumpeter Cherry suggested a collaboration with a Norwegian folk singer, obliging Garbarek to consider, really for the first time, the creative potential of the music in his own backyard, as he was later to put it. 33 years later he is still mining that potential. On Rites, both \"Her wild ways\" and \"It's high time\" contain elements of Nordic folk music. The latter, which has consistently proven one of the highlights of the Garbarek Group's concerts, contains fragments of a traditional Sami joik, while the former, featuring some very spirited interplay between Jan, Rainer Brüninghaus, Eberhard Weber and Marilyn Mazur, incorporates elements of Norwegian folk melody and rhythm.\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003eGarbarek has often spoken of the way which he has examined aspects of the world's music traditions from the vantage point of his own culture. As he told one writer, \"I'm really fascinated by the connections between Norwegian music and that of India via the Balkans and Asia Minor.\" Rites is also a musical journey that looks at these and other connections as it touches down, literally and metaphorically, at diverse spots on the globe. The journey begins with sounds taped by Jan while travelling in India, sounds of the village becoming part of the textural fabric of the title track, detailed by his own saxophone, percussion and synthesizer. In terms of the methodologies involved, Rites has qualities in common with both All Those Born with Wings, Jan's solo album of 1986, and Visible World, recorded 1995, which was essentially a \"solo\" album featuring members of Jan's touring band. On Rites, the cast is further expanded with guest musicians; nonetheless, a majority of instrumental parts are handled by Garbarek himself.\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003eEngland's Time Out noted that \"with each project, Jan Garbarek seems to find yet another wise, new vision of world music.\" Other cultures impinge on Garbarek's music in new ways on Rites. \"We Are the Stars\" is his setting of a translation of a Native American poem of the Passamaquoddy tribe, very vivid in its imagery: \"Our light is a voice\/We cut a road for the soul\/for its journey through death.\" It is a sung here by young members of the Norwegian choir Sølvguttene, with Garbarek's soprano encircling the voices. This piece is followed by another text-setting, of Galaktion Tabidze's \"The Moon Over Mtatsminda,\" a surprising episode on a Garbarek disc, as the performance does not feature him as instrumentalist.\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003eGarbarek met its composer, Jansug Kakhidze, in 1996, while in Georgia to perform Giya Kancheli's Night Prayers with the Tbilisi Symphony Orchestra. In a subsequent conversation with producer Manfred Eicher, Garbarek learned that the conductor-composer-vocalist had been seriously ill. Eicher played the saxophonist a tape of a song Kakhidze had written while recovering from heart surgery. Garbarek: \"It had such an immediate emotional impact that, as it came to an end I spontaneously said, 'Can we have this piece on my album!''\" Although convinced that \"a song from the heart needs no further justification\" he also sought a rational pretext to include it alongside his own pieces. The \"rites of passage\" motif serves to link it to \"We Are the Stars.\" In the Passamaquoddy poem-setting, we hear the voices of the boys, \"in the beginning of their life-cycle,\" looking \"at the hills with disdain.\" For Kakhidze, grateful to be alive, the natural world now has an enhanced meaning: \"My eyes have never seen the moon so lovely...\"\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003eKakhidze, 62, is probably best known for his championing of the work of Kancheli - he has premiered all of the symphonies written by the Georgian composer - but in his long career has conducted musics of many epochs and styles, and his current repertoire includes operas, ballets and symphonic works by composers including Haydn, Beethoven, Prokofiev, Mahler, Richard Strauss, and Shostakovich as well as much contemporary music. He has toured internationally with the Tbilisi Symphony (heard on \"Moon over Mtatsminda\") and conducted leading orchestras in Europe, the United States and Australia.\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003eOutside the Garbarek Group's personnel, the other guest musician on Rites is Norwegian keyboardist Bugge Wesseltoft who has, since appearing on I Took Up the Runes, Sidsel Endresen's Exile and Arild Andersen's Sagn, established a reputation as a bandleader in his own right. His primary contribution to Rites is as accordionist on the Cherry tribute, but he also adds electronic sound colors to several pieces.\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003eOccasionally over the years Garbarek has revisited and revised favorite pieces, and Rites has two such examples, \"It's OK to listen to the gray voice,\" title track of his 1984 album, now given a significantly bolder treatment, and \"So mild the wind, so meek the water\" which previously appeared on All Those Born with Wings. As The Times observed, \"over the subtle wash of Bruninghaus's synthesizer, given sonorous propulsion by Weber's uniquely lyrical bass and embellished by Mazur's extraordinary percussion, Garbarek keens and skirls. This is the sound that lingers in the mind. Multi-textured, but affectingly pure and clear, it draws deeply on the earnest, intimate strength of jazz from Louis Armstrong to Ornette Coleman.\" Contexts may have changed over the years, but Garbarek's saxophone artistry, ever-evolving, remains anchored in the tradition that first inspired him.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFormat \/ \u003cb\u003eLP\u003c\/b\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eReleased \/ \u003cstrong\u003e10\/16\/2026\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCatalogue \/ \u003cb\u003eECM-248076\u003c\/b\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBarcode \/ \u003cstrong\u003e602455539489D\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eArtist \/ \u003cstrong\u003eJan Garbarek\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLabel \/ \u003cstrong\u003eEcm Records\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eGenre \/ \u003cstrong\u003eJazz\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"UMGD","offers":[{"title":"Default Title","offer_id":43810840346685,"sku":"JAZ-G-602455539489D","price":57.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1487\/4550\/files\/image-url_thumbnail_49.webp?v=1789875111"}],"url":"https:\/\/www.plaidroomrecords.com\/collections\/artist-jan-garbarek.oembed","provider":"Plaid Room Records","version":"1.0","type":"link"}